Gear Doesn't Matter

“People think far too much about techniques and not enough about seeing” - Henri Cartier-Bresson

The above quote, in my mind is so correct. I hear so much talk about techniques and gear and I think people are missing the point of quality photography in so many ways. The Masters used gear that was far beneath what we have today and yet produced high quality work that we still value today. They didn’t have the lightning like frame rates, the ISO capabilities, the dynamic range or auto focus to name only a few things, yet they managed some of the best work that has stood the test of time.

Any camera of any brand today will more than suffice to make high quality images and yet so many of us can’t get away from looking toward that next camera or something new being released. I used to carry a heavy bag of lenses around with me, you never know when I might need that one lens, right? The one that I used once or twice a year. Did that bag of gear help me to make better images? Yes and no. What I found is that even with all those lenses I still had my favourites that got used the majority of the time yet I still carried all that weight around “just in case”.

After a trip to the UK, my wife and I decided to lighten things up a bit. We aren’t getting any younger and all that weight while traveling is not fun. We swapped our heavy Nikon lenses for much lighter and smaller Lumix gear. Are there differences and trade-offs? Sure but nothing that would stop us from shooting what we want to. The gear is just a bag of tools, the real artistic part of photography comes from us and our abilities to use those tools.

Photo of the Week #228

I have always been a person who cropped to a standard aspect ratio, you know, 8x10, 16x20, 36x24, that sort of thing. The main reason was so in the event I wanted to print the images, it would be easy to obtain matts, frames and glass for framing. Odd sized photos meant custom Matts at least and therefore, more cash. You know how many images I’ve actually framed? Not many.

The image below was used in a “Critique Night” at my local club and it was suggested to me that the photo may be stronger if I brought the bottom up a little closer to the cliff. Originally, I left a significant strip of water between the camera and the cliff. I gave it a look when I got home and this is the result.

As always, would love to hear comments and constructive criticism.

Photo of the Week # 224

Learning the art of photography is a daunting task if you want to improve. there are many different views on composition, editing and pretty much everything else. The trouble is that like everything else in art, it is subjective. Personally, I follow several YouTube photographers and that helps to inspire me in my own work. Sometimes I may run across a photographer that makes me second guess myself and what I do. This is a time that I have to remind myself that I have to stick with what I feel is the right approach for me. Since I am creating my work for me first, I have to stay true to myself. If others like it, that’s wonderful, but if not, that’s ok too.

Photo of the Week #220

The shot below is a shot I made in southern Utah. With all the famous places in southern Utah, this one might not be as recognizable as others, but that’s one of the things I like to do. Millions of people have images of Monument Valley (so do I), but sometimes you find places that are just as beautiful as the iconic spots but not as “peopley”. Since photographers began sharing their work online, some places are now inundated with people, all lining up to shoot the same photo that thousands before them have already got. You know the old story…..when all the peole are busy looking in one direction, sometimes all you have to do is to look the other.

Photo of the Week #214

I have said it many times over the years that you should revisit certain images as time goes by. You gain experience and know-how and so does the software we use for edits. Often you can breathe new life into an image and it is certain;y worth looking at. This particular image has been used in another form a couple of years ago but it didn’t do it for me in some ways. This re-work of the image is my final edit, I’m calling it done now, officially. “Feeling Blue”