Photo of the Week #136

I have been asked a lot about concert photography. People have all sorts of notions about how it “really is” and to tell you the truth, much of it just isn’t true. It’s a job we all do because we love it but the glamour level is a tad lower than most people imagine. It’s a genre of photography that requires specific equipment and an abundance of time learning the ropes to become good at it. It’s definitely not a situation where you set your camera on some magical mode and shoot away. I have seen a steady progression in the quality of my work over time.

Murray Kinsley (Wicked Grin)

Murray Kinsley (Wicked Grin)

Photo of the Week #135

Sometimes my own favourite shots from shows aren’t what you might think. I like those big epic shots of the star of the show looking right at me, or passionate moments during a solo as much as the next guy. I also like those intimate details in concert photos, or low light shots where shadow area is more prominent. To me, shots with subtle lighting and tones are far superior. Without shadow, you don’t appreciate the subtlety of light. I used to spend all kinds of time trying to recover shadow details and the result is a flat muddy shadow area that just looks terrible. Let shadows be shadows and it looks so much better. This shot is Darren Savard from Dallas Smith’s band. I was at stage right at this time and happened to look over just as Darren came out onto that speaker for a solo. I quickly turned and grabbed a single frame and it turned out to be a favourite of that show. What makes it for me is that hand reaching out to him from the dark. It helps to balance the image.

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Photo of the Week #134

I had the chance to shoot and review for The Arkells show last week at Leon’s Centre. I was really impressed with them. Last time I shot them I wasn’t reviewing so I had to leave after my three songs but this time I enjoyed the complete show. What a great time! Max Kerman is an amazing front man, world class I would say. This is an intimate moment during the encore between Max Kerman of Arkells and Chase Lawrence of Coin

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Photo of the Week #133

People ask me things about concert photography all the time and I thought I would answer one of those questions. Concert photography is just like other genres really. We are looking for a special moment, we want the performer doing something special or making “that face” while soloing, things like that. A person standing at a microphone playing a guitar isn’t all that exciting on it’s own, we want more, something to make that image just a bit more interesting and memorable. Anticipation of these moments will go a long way when shooting a live show.

Victor Wainright is one of the big acts in Blues music right now and he has a trademark move. He is known for lifting one end of his piano into the air while playing it. If there is one shot you want to get during a Victor Wainright show, it is probably that moment. In this case, I happened to have full access so……….I went to Victor and I asked him if there is a certain time he would be likely to do that, and he graciously told me exactly when to expect it. This gave me time to position myself in the perfect place to capture the image I wanted.

Often when I find out that I’m shooting an act that I have not yet shot, I will go to Youtube. I will watch some footage of that act to get an idea of what to expect live. Often you can pick up on stuff that you can use to your advantage while shooting.

Victor Wainright

Victor Wainright

Photo of the Week #132

I ventured up to Ottawa this past Thursday night to shoot Andrew Hyatt and Lindsay Ell at Overflow Brewery. The concert was great but I am not used to having to push through crowds to get in position to shoot so I left the venue that night not feeling great about the shoot. I found it very hard to get unobstructed looks and therefore got lots of frames with a lot of heads in the road. I actually told my wife it was my worst shoot ever, I was really upset that I had blown it. As it turned out after going through the folders in Lightroom, I did have some good shots, maybe one or two that are more than good but I was initially extremely worried. I did indeed have a higher than usual rate of “deleters” though and I’m not sure why, maybe the high amount of smoke being used which can mess with a camera’s autofocus capabilities.

Lindsay Ell. Overflow Brewery, Ottawa

Lindsay Ell. Overflow Brewery, Ottawa